{"id":1564,"date":"2026-07-12T17:55:00","date_gmt":"2026-07-12T15:55:00","guid":{"rendered":"https:\/\/onurmehame.com\/blog\/?p=1564"},"modified":"2026-07-12T17:55:00","modified_gmt":"2026-07-12T15:55:00","slug":"analog-fotografcilik-sokak-pratigi-ve-evde-banyo","status":"publish","type":"post","link":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/","title":{"rendered":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Birinci b\u00f6l\u00fcmde analog foto\u011fraf makinelerinin donan\u0131msal altyap\u0131s\u0131 ve \u0131\u015f\u0131\u011f\u0131n matematiksel temelleri incelenmi\u015fti. Ancak teorik bilgi, sahada prati\u011fe d\u00f6k\u00fclmedi\u011fi s\u00fcrece eksiktir. Soka\u011fa \u00e7\u0131k\u0131ld\u0131\u011f\u0131nda de\u011fi\u015fen \u0131\u015f\u0131k dinamiklerini okumak, h\u0131zl\u0131 netleme refleksleri geli\u015ftirmek ve s\u00fcrecin tam kontrol\u00fcn\u00fc sa\u011flamak ad\u0131na evde film banyosu (karanl\u0131k oda\/laboratuvar) s\u00fcre\u00e7lerine hakim olmak gerekir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Analog S\u00f6zl\u00fck serisinin bu ikinci b\u00f6l\u00fcm\u00fcnde, makine formatlar\u0131ndan sokak prati\u011fine, \u0131\u015f\u0131k \u00f6l\u00e7\u00fcm disiplinlerinden evde film geli\u015ftirme a\u015famalar\u0131na kadar bilmeniz gereken 59 ileri-temel terimi inceliyoruz.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2 - Temel Seviye)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/9RtI-O9xdl0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">I. Kamera Formatlar\u0131 ve Optik Sistemler<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>61. SLR (Single Lens Reflex):<\/strong> Lense giren \u0131\u015f\u0131\u011f\u0131n i\u00e7erideki bir ayna vas\u0131tas\u0131yla do\u011frudan viz\u00f6re yans\u0131t\u0131ld\u0131\u011f\u0131 sistemlerdir. Viz\u00f6rden g\u00f6r\u00fclen kadraj ile lense giren \u0131\u015f\u0131k birebir ayn\u0131d\u0131r; \u00f6ng\u00f6r\u00fclebilir ve g\u00fcvenli bir sistemdir.<\/li>\n\n\n\n<li><strong>62. Rangefinder (Telemetre):<\/strong> Ayna sistemi bar\u0131nd\u0131rmayan, bu nedenle son derece sessiz \u00e7al\u0131\u015fan makinelerdir. Viz\u00f6r ve lens birbirinden ba\u011f\u0131ms\u0131z iki ayr\u0131 \u00fcnitedir.<\/li>\n\n\n\n<li><strong>63. Paralaks Hatas\u0131:<\/strong> Rangefinder sistemlerin fiziksel bir sonucudur. Objelere belirli bir mesafeden fazla yakla\u015f\u0131ld\u0131\u011f\u0131nda, viz\u00f6r ile lens aras\u0131ndaki y\u00fckseklik fark\u0131 nedeniyle kadraj\u0131n kaymas\u0131 ve \u00e7er\u00e7evenin \u00fcst k\u0131sm\u0131n\u0131n kesilmesi durumudur.<\/li>\n\n\n\n<li><strong>64. TLR (Twin Lens Reflex):<\/strong> \u00dcst \u00fcste konumland\u0131r\u0131lm\u0131\u015f iki farkl\u0131 lense sahip, g\u00f6\u011f\u00fcs hizas\u0131nda tutularak yukar\u0131dan bak\u0131lan klasik makinelerdir. \u00dcstteki lens kadraj\u0131 kurmak, alttaki lens ise foto\u011fraf\u0131 \u00e7ekmek i\u00e7indir.<\/li>\n\n\n\n<li><strong>65. Orta Format:<\/strong> Standart 35mm filmin bir \u00fcst basama\u011f\u0131d\u0131r. 120 kodlu geni\u015f y\u00fczeyli filmler kullan\u0131l\u0131r. \u00c7ok daha y\u00fcksek detay, ton ge\u00e7i\u015fi ve \u00fc\u00e7 boyutlu derinlik hissi sunar.<\/li>\n\n\n\n<li><strong>66. \u00c7ift Kadrajl\u0131 Makine (Half-Frame):<\/strong> \u0130\u00e7indeki \u00e7ekim penceresi ortadan ikiye b\u00f6l\u00fcnm\u00fc\u015f sistemlerdir. 36 pozluk standart bir 35mm filmi yar\u0131ya b\u00f6lerek 72 poz \u00e7ekme imkan\u0131 sunar; kadraj dikey formdad\u0131r.<\/li>\n\n\n\n<li><strong>67. Point &amp; Shoot (Kompakt Makine):<\/strong> Genellikle manuel ayar \u00e7arklar\u0131 bulunmayan, otomatik pozlama ve otomatik netleme yapan pratik makinelerdir.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">II. Netleme Y\u00f6ntemleri ve Lens Karakteristikleri<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>68. \u00c7ift G\u00f6r\u00fcnt\u00fc Netlemesi (Split-Image):<\/strong> Manuel odaklamal\u0131 SLR viz\u00f6rlerinin ortas\u0131nda bulunan ve g\u00f6r\u00fcnt\u00fcy\u00fc yatay olarak ikiye b\u00f6len dairedir. \u0130ki yar\u0131m kusursuzca birle\u015fti\u011finde netlik sa\u011flanm\u0131\u015f olur.<\/li>\n\n\n\n<li><strong>69. Mikro Prizma (Microprism):<\/strong> Viz\u00f6r\u00fcn ortas\u0131ndaki netleme dairesini saran dokulu, buzlu cam alan\u0131d\u0131r. Odaklanmayan b\u00f6lgeler titrek g\u00f6r\u00fcn\u00fcr; netlik sa\u011fland\u0131\u011f\u0131nda doku \u00e7\u00f6z\u00fclerek g\u00f6r\u00fcnt\u00fc berrakla\u015f\u0131r.<\/li>\n\n\n\n<li><strong>70. Odak D\u00fczlemi (Focal Plane):<\/strong> Kameran\u0131n \u00f6n\u00fcnde belirlenen mesafede olu\u015fan g\u00f6r\u00fcnmez dikey d\u00fczlemdir. Odaklanan mesafedeki her \u015fey bu d\u00fczleme d\u00fc\u015fer ve keskin \u00e7\u0131kar.<\/li>\n\n\n\n<li><strong>71. Sonsuzluk Odak:<\/strong> Lensin netleme halkas\u0131n\u0131n sonundaki (\u221e) i\u015faretidir. Da\u011flar, ufuk \u00e7izgisi ve belirli bir mesafenin \u00f6tesindeki t\u00fcm mimari yap\u0131lar\u0131n net \u00e7\u0131kmas\u0131n\u0131 sa\u011flar.<\/li>\n\n\n\n<li><strong>72. \u00d6n Netleme (Pre-focusing):<\/strong> Hareketli ortamlarda an\u0131 ka\u00e7\u0131rmamak i\u00e7in kullan\u0131lan \u00f6ng\u00f6r\u00fcsel tekniktir. Objenin ge\u00e7ece\u011fi nokta \u00f6nceden tespit edilip netlenir ve obje o noktaya geldi\u011finde deklan\u015f\u00f6re bas\u0131l\u0131r.<\/li>\n\n\n\n<li><strong>73. Alan Odaklama (Zone Focusing):<\/strong> Sokak foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131nda viz\u00f6rden netleme ile vakit kaybetmemek i\u00e7in lensi belirli bir metreye ayarlay\u0131p, diyafram\u0131 k\u0131sarak (\u00f6rn. f\/8) geni\u015f bir netlik alan\u0131 (\u00f6rn. 2m ile 5m aras\u0131) yaratma y\u00f6ntemidir.<\/li>\n\n\n\n<li><strong>74. Hiperfokal Mesafe:<\/strong> Lensin netlik mesafesini ve diyafram\u0131, kameran\u0131n \u00f6n\u00fcndeki belirli bir noktadan arka ufuk \u00e7izgisine kadar her yerin net \u00e7\u0131kaca\u011f\u0131 o spesifik aral\u0131\u011fa sabitleme i\u015flemidir.<\/li>\n\n\n\n<li><strong>75. Geni\u015f A\u00e7\u0131 Lens:<\/strong> Odak uzakl\u0131\u011f\u0131 35mm, 28mm veya 24mm gibi de\u011ferlerde olan, insan g\u00f6z\u00fcnden daha geni\u015f g\u00f6rme a\u00e7\u0131s\u0131na sahip lenslerdir.<\/li>\n\n\n\n<li><strong>76. Telefoto Lens:<\/strong> Odak uzakl\u0131\u011f\u0131 85mm, 135mm veya 200mm gibi de\u011ferlerde olan, uzaktaki nesneleri optik olarak yakla\u015ft\u0131ran ve arka plan\u0131 daralt\u0131p bulan\u0131kla\u015ft\u0131ran lenslerdir.<\/li>\n\n\n\n<li><strong>77. Makro Lens:<\/strong> K\u00fc\u00e7\u00fck nesnelere santimetrelerce yakla\u015f\u0131p, film y\u00fczeyinde birebir (1:1) veya daha b\u00fcy\u00fck oranda detayland\u0131rma imkan\u0131 sunan \u00f6zel optik tasar\u0131ml\u0131 lenslerdir.<\/li>\n\n\n\n<li><strong>78. Mercek Parlamas\u0131 (Lens Flare):<\/strong> Lensin do\u011frudan g\u00fc\u00e7l\u00fc bir \u0131\u015f\u0131k kayna\u011f\u0131na y\u00f6neltilmesiyle mercek elemanlar\u0131 aras\u0131nda olu\u015fan yans\u0131malar\u0131n yaratt\u0131\u011f\u0131 \u0131\u015f\u0131k hareleridir.<\/li>\n\n\n\n<li><strong>79. Parasoley:<\/strong> \u00c7apraz a\u00e7\u0131lardan lense d\u00fc\u015fen istenmeyen yan \u0131\u015f\u0131klar\u0131 ve mercek parlamalar\u0131n\u0131 engellemek i\u00e7in lensin ucuna tak\u0131lan koruyucu siperliktir.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">III. I\u015f\u0131k \u00d6l\u00e7\u00fcm\u00fc, Pozlama ve Zamanlama<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>80. Merkez A\u011f\u0131rl\u0131kl\u0131 \u00d6l\u00e7\u00fcm:<\/strong> Pozometrenin kadraj\u0131n tamam\u0131n\u0131 e\u015fit de\u011ferlendirmeyip, sadece \u00e7er\u00e7evenin tam ortas\u0131ndaki b\u00f6lgeye d\u00fc\u015fen \u0131\u015f\u0131\u011f\u0131 a\u011f\u0131rl\u0131kl\u0131 olarak \u00f6l\u00e7me sistemidir.<\/li>\n\n\n\n<li><strong>81. Yans\u0131yan I\u015f\u0131k \u00d6l\u00e7\u00fcm\u00fc:<\/strong> Makine i\u00e7i pozometrelerin \u00e7al\u0131\u015fma prensibidir. Kaynaktan \u00e7\u0131k\u0131p nesneye \u00e7arpan ve oradan lense yans\u0131yan \u0131\u015f\u0131\u011f\u0131 \u00f6l\u00e7er. Yan\u0131lt\u0131c\u0131 olabilir.<\/li>\n\n\n\n<li><strong>82. Gelen I\u015f\u0131k \u00d6l\u00e7\u00fcm\u00fc:<\/strong> Harici el pozometreleriyle yap\u0131lan, \u0131\u015f\u0131k kayna\u011f\u0131ndan do\u011frudan objenin \u00fczerine d\u00fc\u015fen saf \u0131\u015f\u0131\u011f\u0131 \u00f6l\u00e7me y\u00f6ntemidir. \u00c7ok daha tutarl\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>83. Poz Telafisi:<\/strong> Makinenin yan\u0131laca\u011f\u0131n\u0131n bilindi\u011fi karma\u015f\u0131k \u0131\u015f\u0131k ko\u015fullar\u0131nda, okunan de\u011ferin kasten daha ayd\u0131nl\u0131k (+ stop) veya daha karanl\u0131k (- stop) \u00e7ekilmesi i\u00e7in verilen mekanik komuttur.<\/li>\n\n\n\n<li><strong>84. Sunny 16 Kural\u0131:<\/strong> Pozometre olmadan kullan\u0131labilecek matematiksel bir do\u011fa kural\u0131d\u0131r. G\u00fcne\u015fli bir havada diyafram f\/16&#8217;ya al\u0131n\u0131r, enstantane ise filmin ISO de\u011ferine en yak\u0131n h\u0131za (\u00d6rn: ISO 100 i\u00e7in 1\/125s) ayarlan\u0131r.<\/li>\n\n\n\n<li><strong>85. Pozlama Basamakland\u0131rma (Bracketing):<\/strong> Y\u00fcksek kontrastl\u0131 ortamlarda en iyi sonucu garantilemek i\u00e7in ayn\u0131 kadraj\u0131 pe\u015f pe\u015fe \u00fc\u00e7 farkl\u0131 pozlamayla (\u00f6nerilen, -1 stop, +1 stop) \u00e7ekme y\u00f6ntemidir.<\/li>\n\n\n\n<li><strong>86. Ters I\u015f\u0131k (Backlight):<\/strong> G\u00fc\u00e7l\u00fc \u0131\u015f\u0131k kayna\u011f\u0131n\u0131n (g\u00fcne\u015f vb.) do\u011frudan objenin arkas\u0131nda konumland\u0131\u011f\u0131 ve as\u0131l konuyu karanl\u0131kta b\u0131rakan zorlu ayd\u0131nlatma durumudur.<\/li>\n\n\n\n<li><strong>87. Siluet:<\/strong> Ters \u0131\u015f\u0131k durumunda y\u00fcz\u00fc ayd\u0131nlatmak yerine, pozlamay\u0131 kasten ayd\u0131nl\u0131k arka plana g\u00f6re yaparak \u00f6ndeki nesneyi siyah, detays\u0131z bir form olarak b\u0131rakma tekni\u011fidir.<\/li>\n\n\n\n<li><strong>88. \u00c7oklu Pozlama:<\/strong> Filmi ileri sarmadan, ayn\u0131 film y\u00fczeyi \u00fczerine ikinci veya \u00fc\u00e7\u00fcnc\u00fc bir foto\u011fraf\u0131 \u00e7ekerek ger\u00e7ek\u00fcst\u00fc, \u00fcst \u00fcste binmi\u015f g\u00f6r\u00fcnt\u00fcler elde etme i\u015flemidir.<\/li>\n\n\n\n<li><strong>89. B-Modu (Bulb Modu):<\/strong> Deklan\u015f\u00f6re bas\u0131l\u0131 tutuldu\u011fu s\u00fcre boyunca perdenin sonuna kadar a\u00e7\u0131k kald\u0131\u011f\u0131; gece \u00e7ekimlerinde saniyeler, dakikalarca \u0131\u015f\u0131k almaya yarayan ayard\u0131r.<\/li>\n\n\n\n<li><strong>90. Deklan\u015f\u00f6r Kablosu:<\/strong> B-Modu&#8217;nda veya d\u00fc\u015f\u00fck enstantanelerde deklan\u015f\u00f6re basarken olu\u015fan sars\u0131nt\u0131y\u0131 engellemek i\u00e7in kullan\u0131lan mekanik uzaktan kumanda tetikleyicisidir.<\/li>\n\n\n\n<li><strong>91. Tripod (\u00dc\u00e7ayak):<\/strong> D\u00fc\u015f\u00fck deklan\u015f\u00f6r h\u0131zlar\u0131nda veya uzun pozlama \u00e7al\u0131\u015fmalar\u0131nda makineyi tamamen hareketsiz sabitleyen \u00fc\u00e7 ayakl\u0131 stantt\u0131r.<\/li>\n\n\n\n<li><strong>92. Alt\u0131n Saatler:<\/strong> G\u00fcne\u015fin do\u011fu\u015fundan hemen sonra ve bat\u0131\u015f\u0131ndan hemen \u00f6nce, \u0131\u015f\u0131\u011f\u0131n yatay a\u00e7\u0131yla geldi\u011fi, g\u00f6lgelerin uzad\u0131\u011f\u0131 s\u0131cak tonlu zaman dilimidir.<\/li>\n\n\n\n<li><strong>93. Mavi Saatler:<\/strong> G\u00fcne\u015f batt\u0131ktan hemen sonra, g\u00f6ky\u00fcz\u00fcn\u00fcn derin bir lacivert ton ald\u0131\u011f\u0131 ve renk kontrast\u0131n\u0131n zirveye \u00e7\u0131kt\u0131\u011f\u0131 k\u0131sa zaman aral\u0131\u011f\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>94. DX Kodu:<\/strong> Yeni nesil makinelerin filmin hassasiyetini (ISO) otomatik alg\u0131lamas\u0131n\u0131 sa\u011flayan, film kasetinin d\u0131\u015f\u0131ndaki g\u00fcm\u00fc\u015f\/siyah renkli iletken damal\u0131 \u015feritlerdir.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">IV. Film Kimyas\u0131 ve Evde Banyo S\u00fcreci<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>95. Push Banyosu (Filmi \u0130tmek):<\/strong> D\u00fc\u015f\u00fck ISO&#8217;lu bir filmi karanl\u0131kta y\u00fcksek ISO (\u00f6rn. 400 yerine 1600) gibi kullan\u0131p, laboratuvarda kimyasal i\u00e7inde daha uzun s\u00fcre bekleterek geli\u015fimi zorlama i\u015flemidir.<\/li>\n\n\n\n<li><strong>96. Pull Banyosu (Filmi \u00c7ekmek):<\/strong> Y\u00fcksek ISO&#8217;lu bir filmi bol \u0131\u015f\u0131kta d\u00fc\u015f\u00fck ISO (\u00f6rn. 400 yerine 100) gibi kullan\u0131p, banyo s\u00fcresini standarttan erken keserek geli\u015fimi durdurma i\u015flemidir. Kontrast\u0131 d\u00fc\u015f\u00fcr\u00fcr.<\/li>\n\n\n\n<li><strong>97. Siyah Beyaz Film:<\/strong> G\u00fcm\u00fc\u015f halojen\u00fcrlerinden olu\u015fan, \u0131\u015f\u0131\u011fa duyarl\u0131 ancak renk bilgisini kaydetmeyen en temel film formudur.<\/li>\n\n\n\n<li><strong>98. Renkli Negatif Film (C-41):<\/strong> Renkleri tersine kaydeden ve dijital taramay\u0131 kolayla\u015ft\u0131ran turuncu katmanl\u0131 filmlerdir. Global C-41 kimyasal s\u00fcreciyle y\u0131kan\u0131rlar.<\/li>\n\n\n\n<li><strong>99. Renkli Tersine Film (Slayt \/ E-6):<\/strong> I\u015f\u0131\u011fa tutuldu\u011funda renkleri oldu\u011fu gibi (pozitif) g\u00f6steren filmlerdir. E-6 s\u00fcreciyle y\u0131kan\u0131rlar ve pozlama toleranslar\u0131 \u00e7ok d\u00fc\u015f\u00fckt\u00fcr.<\/li>\n\n\n\n<li><strong>100. \u00c7apraz Banyo (Cross Processing):<\/strong> Bir film t\u00fcr\u00fcn\u00fc kas\u0131tl\u0131 olarak farkl\u0131 bir kimyasalda (\u00f6rn. Slayt filmi C-41&#8217;de) y\u0131kayarak renklerin bozuldu\u011fu deneysel sonu\u00e7lar elde etme i\u015flemidir.<\/li>\n\n\n\n<li><strong>101. Paterson Tank\u0131:<\/strong> Evde film y\u0131kamak i\u00e7in kullan\u0131lan, i\u00e7ine film yerle\u015ftirildikten sonra \u0131\u015f\u0131\u011f\u0131 %100 bloke ederek s\u00fcreci ayd\u0131nl\u0131kta y\u00f6netmeyi sa\u011flayan silindir kaplard\u0131r.<\/li>\n\n\n\n<li><strong>102. Film Makaralar\u0131 (Spiraller):<\/strong> Film \u015feridinin katmanlar\u0131n\u0131n birbirine yap\u0131\u015fmas\u0131n\u0131 engelleyerek, kimyasal\u0131n her noktaya e\u015fit ula\u015fmas\u0131 i\u00e7in i\u00e7ine sar\u0131ld\u0131\u011f\u0131 plastik\/metal aparatlard\u0131r.<\/li>\n\n\n\n<li><strong>103. Karanl\u0131k \u00c7ad\u0131r (Changing Bag):<\/strong> Tam karanl\u0131k bir oda yoklu\u011funda, filmi kasetten \u00e7\u0131kar\u0131p geli\u015ftirme tank\u0131na sarmak i\u00e7in kollar\u0131n sokularak i\u015flemin yap\u0131ld\u0131\u011f\u0131 \u0131\u015f\u0131k ge\u00e7irmez \u00e7antalard\u0131r.<\/li>\n\n\n\n<li><strong>104. Geli\u015ftirici (Developer):<\/strong> Film \u00fczerindeki g\u00f6r\u00fcnmez izleri reaksiyona sokarak g\u00f6zle g\u00f6r\u00fcn\u00fcr siyah negatife d\u00f6n\u00fc\u015ft\u00fcren en kritik kimyasald\u0131r.<\/li>\n\n\n\n<li><strong>105. Durdurucu (Stop Bath):<\/strong> Geli\u015ftirici s\u0131v\u0131n\u0131n asiditesini n\u00f6tralize ederek, belirlenen s\u00fcre doldu\u011funda film geli\u015fimini an\u0131nda kesen s\u0131v\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>106. Sabitleyici (Fixer):<\/strong> Geli\u015fimi durdurulan filmin \u00fczerindeki \u0131\u015f\u0131k g\u00f6rmemi\u015f g\u00fcm\u00fc\u015f kristallerini \u00e7\u00f6zerek filmi \u0131\u015f\u0131\u011fa duyars\u0131zla\u015ft\u0131ran ve g\u00f6r\u00fcnt\u00fcy\u00fc kal\u0131c\u0131 hale getiren kimyasald\u0131r.<\/li>\n\n\n\n<li><strong>107. Islat\u0131c\u0131 (Leke \u00d6nleyici \/ Photo-Flo):<\/strong> Son y\u0131kama suyuna damlat\u0131larak suyun y\u00fczey gerilimini k\u0131ran ve kuruma sonras\u0131 kire\u00e7\/su lekesi kalmas\u0131n\u0131 engelleyen sol\u00fcsyondur.<\/li>\n\n\n\n<li><strong>108. Termometre:<\/strong> Banyo s\u00fcrecindeki kimyasal reaksiyonun h\u0131z\u0131n\u0131 belirleyen \u0131s\u0131y\u0131 \u00f6l\u00e7mek i\u00e7in kullan\u0131lan mutlak hassasiyet arac\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>109. S\u0131cakl\u0131k Kontrol\u00fc:<\/strong> \u0130stenilen reaksiyon h\u0131z\u0131n\u0131 sa\u011flamak i\u00e7in (Siyah-beyaz i\u00e7in genelde 20\u00b0C, C-41 i\u00e7in 38\u00b0C) s\u0131v\u0131 \u0131s\u0131s\u0131n\u0131 banyo s\u00fcresince sabit tutma disiplinidir.<\/li>\n\n\n\n<li><strong>110. Mez\u00fcr (\u00d6l\u00e7ekli Kap):<\/strong> Kimyasallar\u0131 suyla do\u011fru oranlarda seyreltmek ve milimetrik olarak \u00f6l\u00e7mek i\u00e7in kullan\u0131lan laboratuvar kaplar\u0131d\u0131r.<\/li>\n\n\n\n<li><strong>111. Saklama \u015ei\u015feleri:<\/strong> Kar\u0131\u015ft\u0131r\u0131lan kimyasallar\u0131n oksitlenip bozulmas\u0131n\u0131 engellemek i\u00e7in kullan\u0131lan, \u0131\u015f\u0131k ge\u00e7irmeyen ve havas\u0131 al\u0131nabilen muhafaza \u015fi\u015feleridir.<\/li>\n\n\n\n<li><strong>112. Banyo S\u00fcresi:<\/strong> Geli\u015ftirici kimyasal\u0131n film \u00fczerinde ne kadar kalmas\u0131 gerekti\u011fini belirten ve kronometreyle takip edilen zaman \u00f6l\u00e7\u00fct\u00fcd\u00fcr.<\/li>\n\n\n\n<li><strong>113. Ajitasyon (\u00c7alkalama):<\/strong> Film y\u00fczeyinde etkisini yitiren kimyasal\u0131n taze kimyasalla yer de\u011fi\u015ftirmesi i\u00e7in geli\u015ftirme tank\u0131n\u0131n belirli dakikalarda fiziksel olarak ters y\u00fcz edilip kar\u0131\u015ft\u0131r\u0131lmas\u0131 eylemidir.<\/li>\n\n\n\n<li><strong>114. C-41 Kimyasal Kiti:<\/strong> Renkli negatif filmleri evde y\u0131kamak i\u00e7in gereken geli\u015ftirici, a\u011fart\u0131c\u0131 ve sabitleyici gibi s\u0131v\u0131lar\u0131 i\u00e7eren haz\u0131r setlerdir.<\/li>\n\n\n\n<li><strong>115. Film \u00c7ekici (Retriever):<\/strong> Kasetin i\u00e7ine ka\u00e7an film ucunu karanl\u0131k odaya girmeden, iki ince metal dil yard\u0131m\u0131yla d\u0131\u015far\u0131 \u00e7ekmeye yarayan ara\u00e7t\u0131r.<\/li>\n\n\n\n<li><strong>116. Su Lekesi:<\/strong> Filmi kuruturken \u00fczerinde kalan kire\u00e7li su damlalar\u0131n\u0131n buharla\u015fmas\u0131yla olu\u015fan, taramada beyaz\/bulutlu lekelere yol a\u00e7an izlerdir.<\/li>\n\n\n\n<li><strong>117. Film \u00c7izi\u011fi:<\/strong> Islak ve hassas olan em\u00fclsiyon y\u00fczeyinin s\u0131y\u0131rma s\u0131ras\u0131nda veya makine i\u00e7indeki tozlu bask\u0131 plakas\u0131 nedeniyle mekanik olarak hasar almas\u0131 durumudur.<\/li>\n\n\n\n<li><strong>118. Pergamin (Negatif Dosyas\u0131):<\/strong> Y\u0131kanan filmlerin 6&#8217;l\u0131 \u015feritler halinde kesilip toz, nem ve \u00e7izilmelerden korunarak y\u0131llarca sakland\u0131\u011f\u0131 asitsiz sayfalard\u0131r.<\/li>\n\n\n\n<li><strong>119. Kontakt Bask\u0131:<\/strong> T\u00fcm negatif \u015feritlerin tek bir foto\u011fraf ka\u011f\u0131d\u0131 \u00fczerine konularak \u0131\u015f\u0131k verilmesiyle, t\u00fcm filmin fiziksel bir \u00f6n izleme sayfas\u0131n\u0131n olu\u015fturulmas\u0131 i\u015flemidir.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Birinci b\u00f6l\u00fcmde analog foto\u011fraf makinelerinin donan\u0131msal altyap\u0131s\u0131 ve \u0131\u015f\u0131\u011f\u0131n matematiksel temelleri incelenmi\u015fti. Ancak teorik bilgi, sahada prati\u011fe d\u00f6k\u00fclmedi\u011fi s\u00fcrece eksiktir. Soka\u011fa \u00e7\u0131k\u0131ld\u0131\u011f\u0131nda de\u011fi\u015fen \u0131\u015f\u0131k dinamiklerini okumak, h\u0131zl\u0131 netleme refleksleri geli\u015ftirmek ve s\u00fcrecin tam kontrol\u00fcn\u00fc sa\u011flamak ad\u0131na evde film banyosu (karanl\u0131k oda\/laboratuvar) s\u00fcre\u00e7lerine hakim olmak gerekir. Analog S\u00f6zl\u00fck serisinin bu ikinci b\u00f6l\u00fcm\u00fcnde, makine formatlar\u0131ndan sokak prati\u011fine, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1565,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[784,101],"tags":[931,934,930,933,932,935,929],"class_list":["post-1564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-fotografciligi","category-fotograf","tag-analog-makine-cesitleri","tag-c-41-banyo","tag-evde-film-banyosu","tag-film-yikama","tag-manuel-netleme-teknikleri","tag-pozlama-yontemleri","tag-sokak-fotografciligi-teknikleri"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog<\/title>\n<meta name=\"description\" content=\"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog\" \/>\n<meta property=\"og:description\" content=\"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/\" \/>\n<meta property=\"og:site_name\" content=\"omblog\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-12T15:55:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Onur Mehame\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Yazan:\" \/>\n\t<meta name=\"twitter:data1\" content=\"Onur Mehame\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tahmini okuma s\u00fcresi\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 dakika\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/\"},\"author\":{\"name\":\"Onur Mehame\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#\\\/schema\\\/person\\\/777b4cd723e8deb1afcfc8a383b47b7e\"},\"headline\":\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2)\",\"datePublished\":\"2026-07-12T15:55:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/\"},\"wordCount\":1913,\"publisher\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#\\\/schema\\\/person\\\/777b4cd723e8deb1afcfc8a383b47b7e\"},\"image\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/temelseviye3.jpg\",\"keywords\":[\"analog makine \u00e7e\u015fitleri\",\"C-41 banyo\",\"evde film banyosu\",\"film y\u0131kama\",\"manuel netleme teknikleri\",\"pozlama y\u00f6ntemleri\",\"sokak foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 teknikleri\"],\"articleSection\":[\"film foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131\",\"foto\u011fraf\"],\"inLanguage\":\"tr\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/\",\"url\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/\",\"name\":\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/temelseviye3.jpg\",\"datePublished\":\"2026-07-12T15:55:00+00:00\",\"description\":\"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#primaryimage\",\"url\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/temelseviye3.jpg\",\"contentUrl\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/temelseviye3.jpg\",\"width\":1920,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Ana sayfa\",\"item\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/\",\"name\":\"omblog\",\"description\":\"ya\u011fmur ya\u011facak g\u00fczel bulutlardan, g\u00fcne\u015f do\u011facak.\",\"publisher\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#\\\/schema\\\/person\\\/777b4cd723e8deb1afcfc8a383b47b7e\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"tr\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/#\\\/schema\\\/person\\\/777b4cd723e8deb1afcfc8a383b47b7e\",\"name\":\"Onur Mehame\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"tr\",\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/DSCF0512-copy_web.jpg\",\"url\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/DSCF0512-copy_web.jpg\",\"contentUrl\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/DSCF0512-copy_web.jpg\",\"width\":2000,\"height\":1126,\"caption\":\"Onur Mehame\"},\"logo\":{\"@id\":\"https:\\\/\\\/onurmehame.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/DSCF0512-copy_web.jpg\"},\"description\":\"ya\u011fmur ya\u011facak g\u00fczel bulutlardan, g\u00fcne\u015f do\u011facak.\",\"sameAs\":[\"http:\\\/\\\/www.onurmehame.com\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog","description":"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/","og_locale":"tr_TR","og_type":"article","og_title":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog","og_description":"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.","og_url":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/","og_site_name":"omblog","article_published_time":"2026-07-12T15:55:00+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg","type":"image\/jpeg"}],"author":"Onur Mehame","twitter_card":"summary_large_image","twitter_misc":{"Yazan:":"Onur Mehame","Tahmini okuma s\u00fcresi":"9 dakika"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#article","isPartOf":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/"},"author":{"name":"Onur Mehame","@id":"https:\/\/onurmehame.com\/blog\/#\/schema\/person\/777b4cd723e8deb1afcfc8a383b47b7e"},"headline":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2)","datePublished":"2026-07-12T15:55:00+00:00","mainEntityOfPage":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/"},"wordCount":1913,"publisher":{"@id":"https:\/\/onurmehame.com\/blog\/#\/schema\/person\/777b4cd723e8deb1afcfc8a383b47b7e"},"image":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#primaryimage"},"thumbnailUrl":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg","keywords":["analog makine \u00e7e\u015fitleri","C-41 banyo","evde film banyosu","film y\u0131kama","manuel netleme teknikleri","pozlama y\u00f6ntemleri","sokak foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 teknikleri"],"articleSection":["film foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131","foto\u011fraf"],"inLanguage":"tr"},{"@type":"WebPage","@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/","url":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/","name":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2) - omblog","isPartOf":{"@id":"https:\/\/onurmehame.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#primaryimage"},"image":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#primaryimage"},"thumbnailUrl":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg","datePublished":"2026-07-12T15:55:00+00:00","description":"Analog foto\u011fraf\u00e7\u0131l\u0131kta temel mekaniklerin \u00f6tesine ge\u00e7in. Makine formatlar\u0131, sokakta netleme teknikleri, pozlama y\u00f6netimi ve evde film y\u0131kama s\u00fcrecini ad\u0131m ad\u0131m inceleyin.","breadcrumb":{"@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#breadcrumb"},"inLanguage":"tr","potentialAction":[{"@type":"ReadAction","target":["https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/"]}]},{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#primaryimage","url":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg","contentUrl":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/07\/temelseviye3.jpg","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sokak-pratigi-ve-evde-banyo\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Ana sayfa","item":"https:\/\/onurmehame.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Sokak Prati\u011fi ve Evde Banyo (B\u00f6l\u00fcm 2)"}]},{"@type":"WebSite","@id":"https:\/\/onurmehame.com\/blog\/#website","url":"https:\/\/onurmehame.com\/blog\/","name":"omblog","description":"ya\u011fmur ya\u011facak g\u00fczel bulutlardan, g\u00fcne\u015f do\u011facak.","publisher":{"@id":"https:\/\/onurmehame.com\/blog\/#\/schema\/person\/777b4cd723e8deb1afcfc8a383b47b7e"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/onurmehame.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"tr"},{"@type":["Person","Organization"],"@id":"https:\/\/onurmehame.com\/blog\/#\/schema\/person\/777b4cd723e8deb1afcfc8a383b47b7e","name":"Onur Mehame","image":{"@type":"ImageObject","inLanguage":"tr","@id":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/06\/DSCF0512-copy_web.jpg","url":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/06\/DSCF0512-copy_web.jpg","contentUrl":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/06\/DSCF0512-copy_web.jpg","width":2000,"height":1126,"caption":"Onur Mehame"},"logo":{"@id":"https:\/\/onurmehame.com\/blog\/wp-content\/uploads\/2026\/06\/DSCF0512-copy_web.jpg"},"description":"ya\u011fmur ya\u011facak g\u00fczel bulutlardan, g\u00fcne\u015f do\u011facak.","sameAs":["http:\/\/www.onurmehame.com"]}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/posts\/1564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/comments?post=1564"}],"version-history":[{"count":1,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/posts\/1564\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/posts\/1564\/revisions\/1567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/media\/1565"}],"wp:attachment":[{"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/media?parent=1564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/categories?post=1564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/onurmehame.com\/blog\/wp-json\/wp\/v2\/tags?post=1564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}