{"id":1572,"date":"2026-08-04T12:15:30","date_gmt":"2026-08-04T10:15:30","guid":{"rendered":"https:\/\/onurmehame.com\/blog\/?p=1572"},"modified":"2026-08-04T12:15:31","modified_gmt":"2026-08-04T10:15:31","slug":"analog-fotografcilik-sozlugu-ileri","status":"publish","type":"post","link":"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sozlugu-ileri\/","title":{"rendered":"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Karanl\u0131k Oda ve \u0130leri Seviye (B\u00f6l\u00fcm 3)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Analog foto\u011fraf\u00e7\u0131l\u0131kta deklan\u015f\u00f6re basmak veya filmi evde y\u0131kamak s\u00fcrecin sadece bir b\u00f6l\u00fcm\u00fcd\u00fcr<sup><\/sup>.&nbsp;As\u0131l derinlik o filmin \u00fczerindeki gizli izleri al\u0131p \u0131\u015f\u0131k ve kimyayla yo\u011furarak fiziksel bir foto\u011frafa d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fcz karanl\u0131k odada ve opti\u011fin s\u0131n\u0131rlar\u0131nda yatar<sup><\/sup>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Analog s\u00f6zl\u00fck \u00fc\u00e7lememizin bu final b\u00f6l\u00fcm\u00fcnde, 35 mm&#8217;nin standartlar\u0131n\u0131 a\u015facak, \u0131\u015f\u0131k matemati\u011finin detaylar\u0131na inecek ve karanl\u0131k odadaki s\u00fcreci anlayarak bu i\u015fin mutfa\u011f\u0131na, o kimyasal atmosfere girece\u011fiz<sup><\/sup>. Ansel Adams&#8217;\u0131n efsanevi Zone System&#8217;inden (B\u00f6lge Sistemi), evdeki kahveyle film y\u0131kad\u0131\u011f\u0131m\u0131z Caffenol tekni\u011fine; agrandiz\u00f6r ba\u015f\u0131nda harikalar yaratan Dodge ve Burn (K\u0131smi Ayd\u0131nlatma\/Karartma) i\u015flemlerinden B\u00fcy\u00fck Format makinelerin k\u00f6r\u00fckl\u00fc sistemlerine kadar ustala\u015fman\u0131z gereken tam 32 terimi inceliyoruz.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Karanl\u0131k Oda ve \u0130leri Seviye Terimler (B\u00f6l\u00fcm 3)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/HG_njDu2nQ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">I. \u0130leri Seviye Formatlar ve Optik S\u0131n\u0131rlar<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u00d6nce al\u0131\u015fk\u0131n oldu\u011fumuz 35 mm format\u0131n\u0131n d\u0131\u015f\u0131na \u00e7\u0131k\u0131p vizyonumuzu ve optik s\u0131n\u0131rlar\u0131m\u0131z\u0131 geni\u015fletelim<sup><\/sup>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>121.\u00a0B\u00fcy\u00fck Format: Foto\u011fraf\u0131n k\u00f6kenlerine bir d\u00f6n\u00fc\u015f gibidir.\u00a035 mm veya orta format gibi rulo filmler kullan\u0131lmaz.\u00a0Her bir \u00e7ekim i\u00e7in makinenin arkas\u0131nda plaka halinde tek bir yaprak film yerle\u015ftirilir.\u00a0Sens\u00f6r alan\u0131 o kadar geni\u015ftir ki elde edilen detay, ton ge\u00e7i\u015fi ve organik dokuya dijital sistemlerle bile ula\u015fmak olduk\u00e7a g\u00fc\u00e7t\u00fcr.\u00a0Ancak her bir kareyi planlamak ve \u00e7ekmek ciddi bir zaman ve ustal\u0131k gerektirir.<\/li>\n\n\n\n<li>122.\u00a0K\u00f6r\u00fck: B\u00fcy\u00fck format makinelerde \u00f6ndeki lensle arkadaki film y\u00fczeyi aras\u0131nda bulunan akordeon gibi katlanabilen \u0131\u015f\u0131k ge\u00e7irmez yap\u0131d\u0131r.\u00a0Bu sistemlerde geleneksel netleme halkas\u0131 yoktur.\u00a0Netli\u011fi bulmak i\u00e7in bu k\u00f6r\u00fck raylar \u00fczerinde hareket ettirilerek mercekle film aras\u0131ndaki fiziksel mesafe ayarlan\u0131r.<\/li>\n\n\n\n<li>123.\u00a0Yaprak Perde: SLR makinelerdeki g\u00f6vdede yer alan perdelerin aksine do\u011frudan lensin kendi i\u00e7inde, mercek elemanlar\u0131n\u0131n aras\u0131nda yer alan metal yapraklardan olu\u015fan perde sistemidir.\u00a0Bu yap\u0131s\u0131 sayesinde fla\u015f senkronizasyonunda b\u00fcy\u00fck esneklik sa\u011flar.\u00a0Y\u00fcksek enstantane h\u0131zlar\u0131nda bile fla\u015fla sorunsuz bir \u015fekilde \u00e7al\u0131\u015fabilirsiniz.<\/li>\n\n\n\n<li>124.\u00a0Tilt-Shift Lens: Standart lensler filmin y\u00fczeyine her zaman paralel bakarken, tilt shift lenslerin optik ekseni kayd\u0131r\u0131labilir ve e\u011filebilir bir yap\u0131dad\u0131r.\u00a0Bu mekanizma a\u015fa\u011f\u0131dan yukar\u0131ya do\u011fru \u00e7ekti\u011finiz devasa binalardaki perspektif y\u0131\u011f\u0131lmalar\u0131n\u0131 d\u00fczeltmenize veya belirli bir alan\u0131 net b\u0131rakarak minyat\u00fcr hissi yaratman\u0131za olanak tan\u0131r.<\/li>\n\n\n\n<li>125.\u00a0Pinhole (\u0130\u011fne Deli\u011fi): Optik merceklere ihtiya\u00e7 duymadan foto\u011fraf elde etmenin en temel yoludur.\u00a0\u0130\u00e7i karanl\u0131k bir kutunun bir taraf\u0131na film veya film ka\u011f\u0131d\u0131 koyup kar\u015f\u0131 taraf\u0131na toplu i\u011fne ucu kadar bir delik a\u00e7t\u0131\u011f\u0131n\u0131zda o delikten s\u00fcz\u00fclen \u0131\u015f\u0131k kar\u015f\u0131 y\u00fczeye bir g\u00f6r\u00fcnt\u00fc d\u00fc\u015f\u00fcr\u00fcr.\u00a0Foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n en ilkel, saf ve deneysel halidir.<\/li>\n\n\n\n<li>126.\u00a0K\u0131z\u0131l\u00f6tesi Film: \u0130nsan g\u00f6z\u00fcn\u00fcn g\u00f6rmedi\u011fi dalga boylar\u0131n\u0131 kaydetmeye odaklan\u0131r.\u00a0Bu \u00f6zel filmler nesnelerin yayd\u0131\u011f\u0131 k\u0131z\u0131l\u00f6tesi yans\u0131malara duyarl\u0131d\u0131r.\u00a0Sonu\u00e7 olarak ye\u015fil bitkiler bembeyaz, mavi g\u00f6ky\u00fcz\u00fc ise koyu hatta neredeyse siyah bir ton al\u0131r.\u00a0Do\u011faya farkl\u0131 bir frekanstan bakmak gibidir.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">II. I\u015f\u0131k \u00d6l\u00e7\u00fcm\u00fc ve Pozlama Y\u00f6netimi<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">G\u00f6rsel formatlar\u0131 anlad\u0131ktan sonra \u0131\u015f\u0131\u011f\u0131 \u00f6l\u00e7meyi bir ad\u0131m ileriye ta\u015f\u0131y\u0131p, pozlamay\u0131 ortalama de\u011ferlerden \u00e7\u0131kararak tamamen kendi kontrol\u00fcm\u00fcze al\u0131yoruz<sup><\/sup>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>127.\u00a0B\u00f6lge Sistemi (Zone System): Ansel Adams taraf\u0131ndan geli\u015ftirilen ve foto\u011fraf tarihindeki en \u00f6nemli teknik yakla\u015f\u0131mlardan biri olan bu sistem, siyahla beyaz aras\u0131ndaki ton aral\u0131\u011f\u0131n\u0131 11 farkl\u0131 b\u00f6lgeye ay\u0131r\u0131r.\u00a0Deklan\u015f\u00f6re basmadan \u00f6nce sahneye bakarak \u00f6rne\u011fin karanl\u0131k bir kayan\u0131n hangi gri tonuna, beyaz bir bulutun hangi ayd\u0131nl\u0131k tonuna d\u00fc\u015fece\u011fini hesaplama ve finaldeki bask\u0131y\u0131 \u00f6nceden zihinde planlama s\u00fcrecidir.<\/li>\n\n\n\n<li>128.\u00a0Nokta \u00d6l\u00e7\u00fcm\u00fc: Kadraj\u0131n tamam\u0131na d\u00fc\u015fen kar\u0131\u015f\u0131k \u0131\u015f\u0131\u011f\u0131 okumak yerine viz\u00f6r\u00fcn merkezindeki \u00e7ok k\u00fc\u00e7\u00fck, noktasal bir alan\u0131 referans almakt\u0131r.\u00a0Arkadaki \u00e7ok g\u00fc\u00e7l\u00fc bir \u0131\u015f\u0131k kayna\u011f\u0131 olsa bile makine bunu g\u00f6z ard\u0131 eder ve sadece odakland\u0131\u011f\u0131n\u0131z k\u00fc\u00e7\u00fck noktadaki \u0131\u015f\u0131\u011f\u0131 \u00f6l\u00e7er.\u00a0\u00c7ok hassas ve spesifik bir okuma y\u00f6ntemidir.<\/li>\n\n\n\n<li>129.\u00a0Dinamik Aral\u0131k: Bir filmin ayd\u0131nl\u0131k detaylar\u0131 patlamadan ve karanl\u0131k g\u00f6lgeleri dokusunu kaybetmeden kaydedebilece\u011fi ton yelpazesinin geni\u015fli\u011fidir.\u00a0Analog negatif filmlerinin bu aral\u0131\u011f\u0131 olduk\u00e7a geni\u015ftir; bu da onlar\u0131 \u0131\u015f\u0131k de\u011fi\u015fimlerine kar\u015f\u0131 olduk\u00e7a esnek ve affedici yapar.<\/li>\n\n\n\n<li>130.\u00a0Pozlama Tolerans\u0131: Yapt\u0131\u011f\u0131n\u0131z pozlama hatalar\u0131n\u0131 filmin tolere edebilme kapasitesidir.\u00a0Profesyonel negatif filmler pozlamadaki belirli sapmalar\u0131 banyo a\u015famas\u0131nda veya taramada dengeleyebilecek esnekli\u011fe sahiptir.\u00a0I\u015f\u0131k \u00f6l\u00e7\u00fcm\u00fcnde ufak hatalar yapsan\u0131z bile detaylar\u0131n tamamen kaybolmamas\u0131n\u0131 sa\u011flar.<\/li>\n\n\n\n<li>131.\u00a0Telafi Kayb\u0131 (Schwarzschild Etkisi): Gece veya az \u0131\u015f\u0131kl\u0131 ortamlarda uzun pozlama yaparken kar\u015f\u0131la\u015f\u0131lan kimyasal bir durumdur.\u00a0Pozlama s\u00fcresi saniyeleri a\u015ft\u0131\u011f\u0131nda filmin kimyasal yap\u0131s\u0131 \u0131\u015f\u0131\u011fa kar\u015f\u0131 daha yava\u015f tepki vermeye ba\u015flar.\u00a0Bu durumda pozometrenin size verdi\u011fi matematiksel s\u00fcreye de\u011fil, o filmin \u00f6zelliklerine ait olan telafi tablosuna bakarak s\u00fcreyi sizin manuel olarak uzatman\u0131z gerekir.<\/li>\n\n\n\n<li>132.\u00a0Kontrast Filtreleri: Siyah beyaz \u00e7ekimlerde \u0131\u015f\u0131\u011f\u0131n farkl\u0131 dalga boylar\u0131n\u0131 s\u00fczerek kontrast\u0131 y\u00f6netmenizi sa\u011flar.\u00a0\u00d6rne\u011fin lense sar\u0131 veya k\u0131rm\u0131z\u0131 bir filtre takt\u0131\u011f\u0131n\u0131zda mavi rengin ge\u00e7i\u015fi engellenir.\u00a0Bunun sonucunda siyah beyaz foto\u011frafta g\u00f6ky\u00fcz\u00fc daha koyu g\u00f6r\u00fcn\u00fcrken beyaz bulutlar \u00e7ok daha belirgin ve \u00fc\u00e7 boyutlu bir form kazan\u0131r.<\/li>\n\n\n\n<li>133.\u00a0ND Filtre: I\u015f\u0131\u011f\u0131n \u00e7ok yo\u011fun oldu\u011fu g\u00fcne\u015fli g\u00fcnlerde renk dengesini bozmadan i\u00e7eri giren \u0131\u015f\u0131k miktar\u0131n\u0131 azaltan n\u00f6tr koyulukta camlard\u0131r.\u00a0Diyafram\u0131 ard\u0131na kadar a\u00e7arak s\u0131\u011f alan derinli\u011fi elde etmek istedi\u011finizde foto\u011fraf\u0131n patlamas\u0131n\u0131 engeller.\u00a0Lensinize takt\u0131\u011f\u0131n\u0131z optik bir g\u00fcne\u015f g\u00f6zl\u00fc\u011f\u00fc gibi d\u00fc\u015f\u00fcnebilirsiniz.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">III. Alternatif Kimyasal S\u00fcre\u00e7ler<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">I\u015f\u0131\u011f\u0131 lehimize y\u00f6nettikten sonra, banyo s\u00fcrecinde standart prosed\u00fcrlerin d\u0131\u015f\u0131na \u00e7\u0131k\u0131p farkl\u0131 kimyasal etkile\u015fimlere g\u00f6z atal\u0131m<sup><\/sup>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>134.\u00a0ECN-2 Kimyasal\u0131: Foto\u011fraf makinenizde sinema end\u00fcstrisi i\u00e7in \u00fcretilmi\u015f filmlerden sard\u0131\u011f\u0131n\u0131zda bu filmlerin yap\u0131s\u0131na uygun olarak kullan\u0131lmas\u0131 gereken \u00f6zel banyo kimyasal\u0131na ECN-2 denir.\u00a0Klasik C-41 renkli kimyasallar\u0131ndan farkl\u0131 bir form\u00fcle sahiptir ve sinematik renk paletini do\u011fru alabilmeniz i\u00e7in bu s\u00fcre\u00e7 gereklidir.<\/li>\n\n\n\n<li>135.\u00a0Remjet Katman\u0131: Sinema filmleri saniyede 24 kare h\u0131zla kameralar\u0131n i\u00e7inden ge\u00e7erken statik elektrik \u00fcretmesin diye filmin arkas\u0131na koruyucu bir karbon tabakas\u0131 s\u00fcr\u00fcl\u00fcr.\u00a0Laboratuvar a\u015famas\u0131nda kimyasallar\u0131 kirletmemesi i\u00e7in bu siyah tabakan\u0131n banyoya girmeden \u00f6nce \u00f6zenle y\u0131kan\u0131p s\u00f6k\u00fclmesi gerekir.<\/li>\n\n\n\n<li>136.\u00a0Film \u00c7orbas\u0131 (Film Soup): Analog s\u00fcre\u00e7te kurallar\u0131 esneten deneysel bir yakla\u015f\u0131md\u0131r.\u00a0\u00c7ekilmi\u015f bir filmi banyodan \u00f6nce \u00e7ay, kahve veya \u00e7e\u015fitli evsel s\u0131v\u0131lara maruz b\u0131rakarak em\u00fclsiyonun kimyasal yap\u0131s\u0131n\u0131 de\u011fi\u015ftirme i\u015flemidir.\u00a0Sonu\u00e7lar\u0131 \u00f6ng\u00f6r\u00fclemeyen, soyut ve rastgele renk sapmalar\u0131 yaratan g\u00f6rsel bir deneydir.<\/li>\n\n\n\n<li>137.\u00a0Retik\u00fclasyon: Banyo s\u0131ras\u0131nda kimyasallar\u0131n veya y\u0131kama suyunun s\u0131cakl\u0131\u011f\u0131ndaki ani ve b\u00fcy\u00fck de\u011fi\u015fimlerin filmin \u00fczerindeki em\u00fclsiyon katman\u0131nda yaratt\u0131\u011f\u0131 fiziksel \u015foktur.\u00a0Y\u00fczeyde \u00e7atlam\u0131\u015f bir doku olu\u015fturur.\u00a0\u0130stenmeden yap\u0131ld\u0131\u011f\u0131nda filmin hasar g\u00f6rmesidir; ancak kontroll\u00fc yap\u0131ld\u0131\u011f\u0131nda deneysel bir doku aray\u0131\u015f\u0131 olabilir.<\/li>\n\n\n\n<li>138.\u00a0Bekletme Banyosu (Stand-Development): Standart geli\u015ftirme s\u00fcre\u00e7lerinin aksine, \u00e7ok seyreltik bir geli\u015ftiriciyi tanka koydu\u011funuz ve ajitasyon yapmadan (\u00e7alkalamadan) filmi \u00e7ok uzun s\u00fcre kendi haline b\u0131rakt\u0131\u011f\u0131n\u0131z pasif bir tekniktir.\u00a0Y\u00f6ntem kontrast\u0131 do\u011fal bir \u015fekilde dengeler ve hem ayd\u0131nl\u0131k hem karanl\u0131k alanlardaki detaylar\u0131 korur.<\/li>\n\n\n\n<li>139.\u00a0Rodinal: Foto\u011fraf tarihindeki en k\u00f6kl\u00fc ve karakteristik kimyasallardan biridir.\u00a0Grenleri eritip yumu\u015fatmak yerine onlar\u0131 daha belirginle\u015ftirir ve kenar keskinli\u011fini artt\u0131r\u0131r.\u00a0\u00c7ok net, keskin ve dokulu bir beyaz sonucu almak istedi\u011finizde ba\u015fvurulan g\u00fc\u00e7l\u00fc bir form\u00fcld\u00fcr.<\/li>\n\n\n\n<li>140.\u00a0D-76 veya ID-11: End\u00fcstrinin y\u0131llard\u0131r referans ald\u0131\u011f\u0131 standart geli\u015ftirici form\u00fcld\u00fcr.\u00a0Keskinlik, ton ge\u00e7i\u015fi ve gren yap\u0131s\u0131 aras\u0131nda \u00e7ok tutarl\u0131, dengeli bir sonu\u00e7 verdi\u011fi i\u00e7in en \u00e7ok tercih edilen ve g\u00fcvenilen geli\u015ftiricilerin ba\u015f\u0131nda gelir.<\/li>\n\n\n\n<li>141.\u00a0Caffenol: Kimyan\u0131n sadece laboratuvar malzemeleri ile s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131n\u0131 g\u00f6steren organik bir y\u00f6ntemdir.\u00a0Gran\u00fcl kahve, C vitamini tozu ve \u00e7ama\u015f\u0131r sodas\u0131 kar\u0131\u015ft\u0131r\u0131larak kendi geli\u015ftirici kimyasal\u0131n\u0131z\u0131 elde edebilirsiniz.\u00a0Filmleri bu organik sol\u00fcsyonla y\u0131kayarak tutarl\u0131 sonu\u00e7lar alma prati\u011fine Caffenol diyoruz.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">IV. Karanl\u0131k Oda ve Bask\u0131 A\u015famas\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Elde etti\u011fimiz \u015feffaf negatifleri fiziksel ve kal\u0131c\u0131 bir foto\u011frafa d\u00f6n\u00fc\u015ft\u00fcrece\u011fimiz as\u0131l yere, yani karanl\u0131k odaya giriyoruz<sup><\/sup>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>142.\u00a0Agrandiz\u00f6r: Karanl\u0131k odan\u0131n merkezindeki optik sistemdir.\u00a0Y\u0131kanm\u0131\u015f negatif \u015feridinizi i\u00e7ine yerle\u015ftirirsiniz.\u00a0\u0130\u00e7inden ge\u00e7en \u0131\u015f\u0131k bir mercek yard\u0131m\u0131yla o k\u00fc\u00e7\u00fck kareyi a\u015fa\u011f\u0131daki foto\u011fraf ka\u011f\u0131d\u0131n\u0131n \u00fczerine istenilen boyutta yans\u0131t\u0131r.\u00a0Yukar\u0131dan a\u015fa\u011f\u0131 \u00e7al\u0131\u015fan ayarlanabilir dikey bir projeksiyon cihaz\u0131 gibi i\u015flev g\u00f6r\u00fcr.<\/li>\n\n\n\n<li>143.\u00a0Negatif Ta\u015f\u0131y\u0131c\u0131: Negatif \u015feridinizi agrandiz\u00f6r\u00fcn kalbinde milimetrik olarak d\u00fcz ve gergin tutan metal plakad\u0131r.\u00a0I\u015f\u0131k kayna\u011f\u0131ndan gelen \u0131s\u0131n\u0131n filmi esnetmesini engeller.\u00a0B\u00f6ylece yans\u0131yan g\u00f6r\u00fcnt\u00fcn\u00fcn k\u00f6\u015fe bucak tamamen net kalmas\u0131n\u0131 sa\u011flar.<\/li>\n\n\n\n<li>144.\u00a0\u015e\u00f6vale: Agrandiz\u00f6r\u00fcn alt\u0131ndaki masada yer alan ve foto\u011fraf ka\u011f\u0131d\u0131n\u0131 d\u00fcz bir \u015fekilde sabitleyen \u00e7er\u00e7evedir.\u00a0Ka\u011f\u0131d\u0131n k\u0131vr\u0131lmas\u0131n\u0131 \u00f6nlerken ayn\u0131 zamanda kenarlar\u0131n\u0131 \u0131\u015f\u0131ktan koruyarak analog bask\u0131larda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz o klasik ve temiz beyaz paspartu \u00e7er\u00e7evelerinin olu\u015fmas\u0131n\u0131 sa\u011flar.<\/li>\n\n\n\n<li>145.\u00a0Odak Bulucu: Agrandiz\u00f6rden ka\u011f\u0131da d\u00fc\u015fen \u0131\u015f\u0131kl\u0131 g\u00f6r\u00fcnt\u00fcn\u00fcn tam net olup olmad\u0131\u011f\u0131n\u0131 anlamam\u0131za yarayan \u00f6zel bir optik b\u00fcy\u00fcte\u00e7tir.\u00a0Bu alete bakt\u0131\u011f\u0131n\u0131zda foto\u011fraf\u0131n genel detay\u0131n\u0131 de\u011fil do\u011frudan filmdeki g\u00fcm\u00fc\u015f grenlerinin yap\u0131s\u0131n\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz.\u00a0O grenleri keskin bir \u015fekilde g\u00f6rd\u00fc\u011f\u00fcn\u00fcz an bask\u0131n\u0131z\u0131n oda\u011f\u0131n\u0131 kusursuz ayarlam\u0131\u015fs\u0131n\u0131z demektir.<\/li>\n\n\n\n<li>146.\u00a0K\u0131rm\u0131z\u0131 I\u015f\u0131k (Kasa I\u015f\u0131\u011f\u0131): Siyah beyaz foto\u011fraf ka\u011f\u0131tlar\u0131 k\u0131rm\u0131z\u0131 \u0131\u015f\u0131k spektrumuna kar\u015f\u0131 duyars\u0131zd\u0131r.\u00a0Bu \u00f6zellikleri sayesinde karanl\u0131k odada etraf\u0131 g\u00f6rebilmek ve rahat \u00e7al\u0131\u015fabilmek i\u00e7in ka\u011f\u0131d\u0131 etkilemeyen k\u0131rm\u0131z\u0131 ayd\u0131nlatmalar kullan\u0131l\u0131r.\u00a0Sizin karanl\u0131ktaki g\u00fcvenli alan\u0131n\u0131zd\u0131r.<\/li>\n\n\n\n<li>147.\u00a0G\u00fcm\u00fc\u015f Jelatin Bask\u0131: Modern yaz\u0131c\u0131lardan al\u0131nan \u00e7\u0131kt\u0131lar\u0131n \u00f6tesinde bir s\u00fcre\u00e7tir.\u00a0Foto\u011fraf ka\u011f\u0131d\u0131n\u0131n \u00fczerinde de t\u0131pk\u0131 film gibi \u0131\u015f\u0131\u011fa duyarl\u0131 g\u00fcm\u00fc\u015f kristalleri bulunur.\u00a0Bu ka\u011f\u0131d\u0131n pozlan\u0131p kimyasal banyodan ge\u00e7erek kal\u0131c\u0131 fiziksel bir esere d\u00f6n\u00fc\u015fme s\u00fcrecine jelatin bask\u0131 diyoruz.<\/li>\n\n\n\n<li>148.\u00a0Test \u015eeridi: Foto\u011fraf ka\u011f\u0131d\u0131na verilmesi gereken do\u011fru \u0131\u015f\u0131k s\u00fcresini bulmak i\u00e7in kullan\u0131lan bir referans y\u00f6ntemidir.\u00a0Ufak bir ka\u011f\u0131t par\u00e7as\u0131n\u0131 belirli saniye aral\u0131klar\u0131yla b\u00f6l\u00fcm b\u00f6l\u00fcm pozlay\u0131p banyo edersiniz.\u00a0\u00c7\u0131kan ka\u011f\u0131ttaki \u015feritlere bakarak en do\u011fru siyah\u0131 buldu\u011funuz s\u00fcre tam foto\u011fraf\u0131 basaca\u011f\u0131n\u0131z as\u0131l s\u00fcre olur.<\/li>\n\n\n\n<li>149.\u00a0K\u0131smi Ayd\u0131nlatma (Dodge): Agrandiz\u00f6rden ka\u011f\u0131da \u0131\u015f\u0131k d\u00fc\u015ferken foto\u011fraftaki belirli bir b\u00f6lgenin gere\u011finden fazla karanl\u0131k \u00e7\u0131kmas\u0131n\u0131 engellemek i\u00e7in uygulanan bir m\u00fcdahaledir.\u00a0O b\u00f6lgeye giden \u0131\u015f\u0131\u011f\u0131 elinizle veya bir aparatla k\u0131sa s\u00fcreli\u011fine keserek o alan\u0131n biraz daha ayd\u0131nl\u0131k kalmas\u0131n\u0131 sa\u011flars\u0131n\u0131z.<\/li>\n\n\n\n<li>150.\u00a0K\u0131smi Karartma (Burn): Dodge i\u015fleminin tam tersidir.\u00a0I\u015f\u0131k d\u00fc\u015ferken t\u00fcm ka\u011f\u0131d\u0131 ellerinizle veya bir kartonla kapat\u0131p, aralad\u0131\u011f\u0131n\u0131z k\u00fc\u00e7\u00fck bir delikten sadece belirli bir b\u00f6lgeye ekstra pozlama yapma tekni\u011fidir.\u00a0G\u00f6ky\u00fcz\u00fcndeki veya a\u015f\u0131r\u0131 parlak alanlardaki detaylar\u0131 ortaya \u00e7\u0131karmak i\u00e7in o b\u00f6lgeyi biraz daha koyula\u015ft\u0131rma i\u015flemidir.<\/li>\n\n\n\n<li>151.\u00a0De\u011fi\u015fken Kontrastl\u0131 Ka\u011f\u0131t (Multigrade): Ge\u00e7mi\u015fte farkl\u0131 kontrast seviyeleri i\u00e7in ayr\u0131 ka\u011f\u0131tlar \u00fcretilirdi.\u00a0Multigrade ka\u011f\u0131tlar ise agrandiz\u00f6rden gelen \u0131\u015f\u0131\u011f\u0131n renk dalgas\u0131na g\u00f6re farkl\u0131 kontrast tepkileri verebilen modern bir yap\u0131ya sahiptir.\u00a0Tek bir ka\u011f\u0131t kullanarak foto\u011fraf\u0131n siyah ve beyaz dengesini \u00e7ok daha esnek bir \u015fekilde y\u00f6netebilirsiniz.<\/li>\n\n\n\n<li>152.\u00a0Multigrade Filtreler: O de\u011fi\u015fken ka\u011f\u0131d\u0131 kontrol etmek i\u00e7in agrandiz\u00f6r\u00fcn merce\u011fine tak\u0131lan farkl\u0131 yo\u011funluklardaki renkli asetat camlard\u0131r.\u00a0Bu filtrelere g\u00f6re ka\u011f\u0131d\u0131n kontrast\u0131n\u0131 art\u0131r\u0131p azaltabilir, ton ge\u00e7i\u015flerinde ince ayarlamalar yapabilirsiniz.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Bu seriyi ba\u015ftan sona izlediyseniz sadece foto\u011fraf \u00e7eken de\u011fil bu optik ve kimyasal s\u00fcrecin mekani\u011fini anlayan ve kontrol eden bir \u00fcreticisiniz demektir<sup><\/sup>.&nbsp;Orada bolca foto\u011fraf \u00e7ekin, bolca \u00fcretin<sup><\/sup>.&nbsp;\u00dcretmek g\u00fczel bir \u015fey<sup><\/sup>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Analog foto\u011fraf\u00e7\u0131l\u0131kta deklan\u015f\u00f6re basmak veya filmi evde y\u0131kamak s\u00fcrecin sadece bir b\u00f6l\u00fcm\u00fcd\u00fcr.&nbsp;As\u0131l derinlik o filmin \u00fczerindeki gizli izleri al\u0131p \u0131\u015f\u0131k ve kimyayla yo\u011furarak fiziksel bir foto\u011frafa d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fcz karanl\u0131k odada ve opti\u011fin s\u0131n\u0131rlar\u0131nda yatar. Analog s\u00f6zl\u00fck \u00fc\u00e7lememizin bu final b\u00f6l\u00fcm\u00fcnde, 35 mm&#8217;nin standartlar\u0131n\u0131 a\u015facak, \u0131\u015f\u0131k matemati\u011finin detaylar\u0131na inecek ve karanl\u0131k odadaki s\u00fcreci anlayarak bu i\u015fin mutfa\u011f\u0131na, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1574,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[784,101],"tags":[940,679,942,943,946,941,945,944,48,947],"class_list":["post-1572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-fotografciligi","category-fotograf","tag-agrandizor","tag-analog-fotografcilik","tag-buyuk-format","tag-caffenol","tag-film-banyosu","tag-gumus-jelatin-baski","tag-ileri-seviye-analog-terimler","tag-karanlik-oda","tag-onur-mehame","tag-zone-system"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Karanl\u0131k Oda ve \u0130leri Seviye (B\u00f6l\u00fcm 3) - omblog<\/title>\n<meta name=\"description\" content=\"Analog foto\u011fraf\u00e7\u0131l\u0131kta deklan\u015f\u00f6re basmak veya filmi evde y\u0131kamak s\u00fcrecin sadece bir b\u00f6l\u00fcm\u00fcd\u00fcr. As\u0131l derinlik o filmin \u00fczerindeki gizli izleri al\u0131p \u0131\u015f\u0131k ve kimyayla yo\u011furarak fiziksel bir foto\u011frafa d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fcz karanl\u0131k odada ve opti\u011fin s\u0131n\u0131rlar\u0131nda yatar.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/onurmehame.com\/blog\/analog-fotografcilik-sozlugu-ileri\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Analog Foto\u011fraf\u00e7\u0131l\u0131k S\u00f6zl\u00fc\u011f\u00fc: Karanl\u0131k Oda ve \u0130leri Seviye (B\u00f6l\u00fcm 3) - omblog\" \/>\n<meta property=\"og:description\" content=\"Analog foto\u011fraf\u00e7\u0131l\u0131kta deklan\u015f\u00f6re basmak veya filmi evde y\u0131kamak s\u00fcrecin sadece bir b\u00f6l\u00fcm\u00fcd\u00fcr. 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